Louisa Ganzel igralka
I was born on a tiny island in the north of Germany and grew up in a circus family, so perhaps curiosity was inevitable. For the last five years I’ve been modelling around the world, mostly living out of one suitcase. I’m a minimalist by circumstance at this point. I love to run because you can do it everywhere, which is useful when you never really know where you’ll be next. Last year I ran a marathon and came fourth woman in a 25km trail run through London. Running gives me mental superpowers. Whether that’s true or not, I choose to believe it.
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Pregled
DržavljanstvoNemčija
Jezikinemščina (materni jezik), angleščina (tekoče), angleščina - britanska (osnovno), francoščina (osnovno), italijanščina (osnovno)
RojenWyk auf Foehr, Nemčija, Schleswig-Holstein
Igralna starost20 - 30
Višina179 cm
Etnični tipiSevernoevropski / Skandinavski, srednjeevropski
PrebivališčeFöhr - Schleswig-Holstein (Nemčija)
Možnost nastanitveMilan - Lombardija (Italija), London - England (Združeno kraljestvo Velike Britanije in Severne Irske), Lisbon - Lisboa (Portugalska), Berlin - Berlin (Nemčija), Paris - Île de France (Francija), Athen - Attiki (Grčija)
Delovno dovoljenjeEuropean Union
Kontakt
Spretnosti
Jeziki nemščina (materni jezik), angleščina (tekoče), angleščina - britanska (osnovno), francoščina (osnovno), italijanščina (osnovno)
Narečja Baden (dobro)
Naglasi nemški (domači naglas)
Ples freestyle (zelo dobro), koreografija (zelo dobro), plesna improvizacija (zelo dobro), hip hop (dobro)
Petje. balada (dobro), zbor (dobro)
Višina glasu / Glas za sinhronizacijo alt
Glasbeni instrumenti violina (dobro), kitara (osnovno), klavir (osnovno)
Šport akrobatika (dobro), joga (dobro), maraton (dobro), pilates (dobro), rokomet (dobro)
Vozniška dovoljenja / Ostala dovoljenja avto
Druga znanja in spretnosti cirkuški akrobat, hoja na hoduljah, slacklining, umetnik na trapezu, žongliranje
Videz
Igralna starost 20 - 30
Višina 179 cm
Postava zelo vitka
Teža 58 kg
Barva oči modro-siva
Barva las svetlo rjava
Frizura kratka ravna
Dvojček Ne
Etnični tipi Severnoevropski / Skandinavski, srednjeevropski
Tetovaže Ne
Piercing Ni
Očala ne
Brazgotine Da, ni vidno
Izobraževanje in usposabljanje
The Acting Masters
Coaching Derek Barr
Actors Studio
Meisner and Laban technique (Skye Hallam)
Actors Studio
Selftaping - Masterclass Mel Churcher (The Elemental Actor)
Actors Studio
ScreenActing Diploma & Showreel (Sarah Hannah, Clare Davidson, Tim Kent, Helen Gormally, Taz Ayoub, Nathan Caselton, Ifan Meredith, Ben Coga, Zak Morgan, Harri Honey, Fin Masson)
CV CV - Gledališče CV - Oglasi CV - Drugo
CV - Gledališče
2026
A Midsummer Night's Dream (William Shakespeare)
Sal Cabras (English Theatre Milan)
Gledališče: ETM
Gledališče
Gledališče absurda, Komedija, Monolog, Pravljica, Pustolovščina, Romantični, Skrivnost, Tragedija, Zgodovinski
Maggie Rose
Režija
Queen Hippolyta
glavna vloga
2025
A Midsummer Night's Dream (William Shakespeare)
Sal Cabras (English Theatre Milan)
Gledališče: ETM
Gledališče
Gledališče absurda, Komedija, Monolog, Pravljica, Pustolovščina, Romantični, Skrivnost, Tragedija, Zgodovinski
Maggie Rose
Režija
Peter Quince
glavna vloga
Peter Quince in The Mechanicals Scenes from A Midsummer Night’s Dream, directed by Maggie Rose. English Theatre Milan (ETM) – non-profit English-language theatre association, Milan. Live public performance at Casa Di Quartiere, Milan. December 2025. ETM was founded by Maggie Rose, Professor of British Theatre Studies at Milan State University.
CV - Drugo
2026
Salt - Vogue Portugal
Vogue Portugal
Kratki film
Drama, Eksperimentalni, Film noir, Pustolovščina, Skrivnost
Jakub Szymański, Daniella Rodrigues
Režija
Metamorphosis
glavna vloga
In an invisible impulse that contrasts the silence of a seaside setting, the salt of the ocean becomes a persistent memory of legacies woven between generations.
The body carries stories that time has not erased, giving life to an inner struggle that seeks only expression, never resolution. There is a melancholy felt in every gesture, and dreams become a form of escape and resistance. In this editorial, fashion feels like something more than mere adornment - becoming a raw and fluid language bet
