DržavljanstvoPortugalska
Jezikiangleščina (tekoče), angleščina - ameriška (tekoče), avstralski jeziki (dobro), španščina (dobro)
RojenDili, Timor-Leste, Vzhodni Timor
Igralna starost25 - 35
Višina157 cm
Etnični tipiJužnoazijski
PrebivališčeLisbon - Lisboa (Portugalska)
ČlanstvaGDA - Gestão dos Direitos dos Artistas (Portugalska)
Academia Portuguesa de Cinema (Portugalska)
Delovno dovoljenjeEuropean Union
Jeziki angleščina (tekoče), angleščina - ameriška (tekoče), avstralski jeziki (dobro), španščina (dobro)
Narečja Alentejo (tekoče), Lizbona (regija) (tekoče), Francija Center (dobro), New York - American (dobro), Porto (severna regija) (dobro), Veliki London (dobro)
Naglasi ameriški (zelo dobro), kreolski (zelo dobro), afroameriški (dobro), angleški (dobro), avstralski (dobro), azijski (dobro), filipinski (dobro), nigerijski (dobro)
Ples disco (zelo dobro), flamenko (zelo dobro), freestyle (zelo dobro), highland ples (zelo dobro), interpretativni ples (zelo dobro), odrski ples (zelo dobro), plesna improvizacija (zelo dobro), plesno gledališče (zelo dobro), samba (zelo dobro), standardni plesi (zelo dobro), trening plesa (zelo dobro), vogue (zelo dobro), koreografija (dobro)
Petje. a capella (zelo dobro), umetniška pesem (zelo dobro)
Višina glasu / Glas za sinhronizacijo sopran
Šport kolesarjenje (zelo dobro), fitnes (dobro), namizni tenis (dobro)
Vozniška dovoljenja / Ostala dovoljenja avto
Druga znanja in spretnosti Alexander tehnika, improvizacija, prevajalec, pripovedovanje zgodb, režiser, umetniški vodja
Igralna starost 25 - 35
Višina 157 cm
Teža 57 kg
Barva oči črna
Barva las temno rjava
Frizura dolga ravna
Dvojček Ne
Etnični tipi Južnoazijski
Tetovaže Da, v vidnem območju
Piercing Ni
Očala kontaktne leče
Brazgotine Da, ni vidno
2026 Best Film (Združene države Amerike) - Nagrada
2025 Best Ensemble (Združene države Amerike) - Nagrada
António Feio
Režija
Devil
glavna vloga
António Feio’s staging of *Auto da Barca do Inferno* was an innovative production developed by Cultural Kids. The play adapted Gil Vicente’s classic for school audiences, integrating Vicente’s text with new technologies and scenic elements.
Carlos Avilez
Režija
Zoia
glavna vloga v ansamblu
“The Bedbug” is a famous play by Russian author Vladimir Mayakovsky, directed by Carlos Avilez at the Cascais Experimental Theater (TEC). The production featured a translation by Portuguese poet Alexandre O'Neill, with set design, costumes, and props designed by Fernando Alvarez.
Iva Areias, Carlos Dante, José Manuel Fernandes, António Marinho
Režija
Guard
dnevna vloga/majhna vloga
Macau, Thailand, and Portugal are the three settings for this story by author and actor Tozé Martinho, which takes viewers back to the fateful day of the 2004 tsunami in Southeast Asia. The soap opera marks Margarida Vila-Nova’s return to the screen (after becoming a mother) in the lead role of Filipa, who believes she has lost her fiancé Diogo—played by Diogo Amaral—in the natural disaster.
Andrew Pharnell
Režija
Jasmine
glavna vloga v ansamblu
Simon Catillon
Režija
Anfisa
glavna vloga v ansamblu
During lock down, three sisters clash over love-dreaming, defying, doubting-only to rediscover the strength of sisterhood and love's transformative power.
Stella Marrazes
Režija
režiser
We Are One transcends race, sexuality, and culture to highlight universal human experiences. Through diverse characters, the film challenges societal norms and promotes inclusion. Our aim is to inspire understanding that we are all united.
Carlos Avilez
Režija
Zoia
glavna vloga v ansamblu
“The Bedbug” is a famous play by Russian author Vladimir Mayakovsky, directed by Carlos Avilez at the Cascais Experimental Theater (TEC). The production featured a translation by Portuguese poet Alexandre O'Neill, with set design, costumes, and props designed by Fernando Alvarez.
Stella Marrazes and Catarina Mago
Gledališče: Teatro Rápido
Gledališče
Komedija
Stella Marrazes and Catarina Mago
Režija
Wanda
glavna vloga
António Feio
Režija
Devil
glavna vloga
António Feio’s staging of *Auto da Barca do Inferno* was an innovative production developed by Cultural Kids. The play adapted Gil Vicente’s classic for school audiences, integrating Vicente’s text with new technologies and scenic elements.